| Actor in a Leading Role |
| |
Adrien Brody in
"The Pianist" (Focus Features) |
| |
Nicolas Cage in "Adaptation" (Sony Pictures Releasing) |
| |
Michael Caine in "The Quiet American" (Miramax and
Intermedia) |
| |
Daniel Day-Lewis in "Gangs of New York" (Miramax) |
| |
Jack Nicholson in "About Schmidt" (New Line) |
| |
| Actor in a Supporting Role |
| |
Chris Cooper
in "Adaptation" (Sony Pictures Releasing) |
| |
Ed Harris in "The Hours" (Paramount and
Miramax) |
| |
Paul Newman in "Road to Perdition" (DreamWorks and
20th Century Fox) |
| |
John C. Reilly in "Chicago" (Miramax) |
| |
Christopher Walken in "Catch Me If You Can" (DreamWorks) |
| |
| Actress in a Leading Role |
| |
Salma Hayek in "Frida" (Miramax) |
| |
Nicole Kidman
in "The Hours " (Paramount and Miramax) |
| |
Diane Lane in "Unfaithful" (20th Century Fox) |
| |
Julianne Moore in "Far From Heaven" (Focus Features) |
| |
Renée Zellweger in "Chicago" (Miramax) |
| |
| Actress in a Supporting Role |
| |
Kathy Bates in "About Schmidt" (New Line) |
| |
Julianne Moore in "The Hours" (Paramount and Miramax) |
| |
Queen Latifah in "Chicago" (Miramax) |
| |
Meryl Streep in "Adaptation" (Sony Pictures Releasing) |
| |
Catherine Zeta-Jones in
"Chicago" (Miramax) |
| |
| Animated Feature Film |
| |
"Ice Age" (20th Century Fox) |
| |
"Lilo & Stitch" (Buena Vista) |
| |
"Spirit: Stallion of the Cimarron" (DreamWorks) |
| |
"Spirited Away" (Buena
Vista) Hayao Miyazaki |
| |
"Treasure Planet" (Buena Vista) |
| |
| Art Direction |
| |
"Chicago" (Miramax) Art Direction:
John Myhre, Set Decoration: Gordon Sim |
| |
"Frida" (Miramax) Art Direction: Felipe Fernandez del
Paso, Set Decoration: Hania Robledo |
| |
"Gangs of New York" (Miramax) Art Direction: Dante
Ferretti, Set Decoration: Francesca Lo Schiavo |
| |
"The Lord of the Rings: The Two Towers" (New Line)
Art Direction: Grant Major, Set Decoration: Dan Hennah and Alan Lee |
| |
"Road to Perdition" (DreamWorks and 20th Century Fox)
Art Direction: Dennis Gassner, Set Decoration: Nancy Haigh |
| |
| Cinematography |
| |
"Chicago" (Miramax) Dion Beebe |
| |
"Far from Heaven" (Focus Features) Edward Lachman |
| |
"Gangs of New York" (Miramax) Michael Ballhaus |
| |
"The Pianist" (Focus Features) Pawel Edelman |
| |
"Road to Perdition"
(DreamWorks and 20th Century Fox) Conrad L. Hall |
| |
| Costume Design |
| |
"Chicago" (Miramax)
Colleen Atwood |
| |
"Frida" (Miramax) Julie Weiss |
| |
"Gangs of New York" (Miramax) Sandy Powell |
| |
"The Hours" (Paramount and Miramax) Ann
Roth |
| |
"The Pianist" (Focus Features) Anna Sheppard |
| |
| Directing |
| |
"Chicago" (Miramax) Rob Marshall |
| |
"Gangs of New York" (Miramax) Martin Scorsese |
| |
"The Hours" (Paramount and Miramax) Stephen Daldry |
| |
"The Pianist"
(Focus Features) Roman Polanski |
| |
"Talk to Her" (Sony Pictures Classics) Pedro Almodóvar |
| |
| Documentary Feature |
| |
"Bowling for Columbine" (United
Artists and Alliance Atlantis) Michael Moore and Michael Donovan |
| |
"Daughter from Danang" (Balcony Releasing in association
with Cowboy Pictures) Gail Dolgin and Vicente Franco |
| |
"Prisoner of Paradise" (Alliance Atlantis) Malcolm
Clarke and Stuart Sender |
| |
"Spellbound" (THINKFilm) Jeffrey Blitz and Sean Welch |
| |
"Winged Migration" (Sony Pictures Classics) Jacques
Perrin |
| |
| Documentary Short Subject |
| |
"The Collector of Bedford Street" An Alice Elliott
Production, Alice Elliott |
| |
"Mighty Times: The Legacy of Rosa Parks" A Tell the
Truth Pictures Production, Robert Hudson and Bobby Houston |
| |
"Twin Towers"
A Wolf Films/Shape Pictures/Universal/Mopo Entertainment Production, Bill
Guttentag and Robert David Port |
| |
"Why Can't We Be a Family Again?" A Public Policy
Production, Roger Weisberg and Murray Nossel |
| |
| Film Editing |
| |
"Chicago" (Miramax)
Martin Walsh |
| |
"Gangs of New York" (Miramax) Thelma Schoonmaker |
| |
"The Hours" (Paramount and Miramax) Peter Boyle |
| |
"The Lord of the Rings: The Two Towers" (New Line)
Michael Horton |
| |
"The Pianist" (Focus Features) Hervé de Luze |
| |
| Foreign Language Film |
| |
"El Crimen del Padre Amaro" An Alameda Films/BluFilms/Foprocine/Gob.
del Estado de Veracruz-Llave Production, Mexico |
| |
"Hero" A Beijing New Picture Film Company/Elite Group
Enterprises Production, People's Republic of China |
| |
"The Man without a Past" A Sputnik Oy/Pandora Film/Pyramide
Prods. Production, Finland |
| |
"Nowhere in Africa"
An MTM Medien & Television München Production, Directed by Caroline
Link, Germany |
| |
"Zus & Zo" A Filmprodukties de Luwte Production,
The Netherlands |
| |
| Makeup |
| |
"Frida"
(Miramax) John Jackson and Beatrice De Alba |
| |
"The Time Machine" (DreamWorks and Warner Bros.) John
M. Elliott, Jr. and Barbara Lorenz |
| |
| Music in connection with Motion Pictures
- Original Score |
| |
"Catch Me If You Can" (DreamWorks) John Williams |
| |
"Far from Heaven" (Focus Features) Elmer Bernstein |
| |
"Frida"
(Miramax) Elliot Goldenthal |
| |
"The Hours" (Paramount and Miramax) Philip Glass |
| |
"Road to Perdition" (DreamWorks and 20th Century Fox)
Thomas Newman |
| |
| Music in connection with Motion Pictures
- Original Song |
| |
"Burn It Blue" from "Frida" (Miramax) Music
by Elliot Goldenthal, Lyric by Julie Taymor |
| |
"Father and Daughter" from "The Wild Thornberrys
Movie" (Paramount and Nickelodeon Movies) Music and Lyric by Paul
Simon |
| |
"The Hands That Built America" from "Gangs of
New York" (Miramax) Music and Lyric by Bono, The Edge, Adam Clayton
and Larry Mullen |
| |
"I Move On" from "Chicago" (Miramax) Music
by John Kander Lyric by Fred Ebb |
| |
"Lose Yourself"
from "8 Mile" (Universal) Music by Eminem, Jeff Bass and Luis
Resto, Lyric by Eminem |
| |
| Motion Picture |
| |
"Chicago"
(Miramax) Martin Richards |
| |
"Gangs of New York" (Miramax) |
| |
"The Hours" (Paramount and Miramax) |
| |
"The Lord of the Rings: The Two Towers" (New Line) |
| |
"The Pianist" (Focus Features) |
| |
| Short Film - Animated |
| |
"The Cathedral" A Platige Image Production, Tomek Baginski
|
| |
"The ChubbChubbs!"
(Columbia) A Sony Pictures Imageworks Production, Eric Armstrong
|
| |
"Das Rad" A Filmakademie Baden-Württemberg GmbH
Production, Chris Stenner and Heidi Wittlinger |
| |
"Mike's New Car" (Buena Vista) A Pixar Animation Studios
Production, Pete Docter and Roger Gould |
| |
"Mt. Head" A Yamamura Animation Production, Koji Yamamura
|
| |
| Short Film - Live Action |
| |
"Fait D'Hiver" An Another Dimension of an Idea Production,
Dirk Beliën and Anja Daelemans |
| |
"I'll Wait for the Next One… (J'Attendrai Le Suivant…)"
A La Boîte Production, Philippe Orreindy and Thomas Gaudin |
| |
"Inja (Dog)" An Australian Film TV & Radio School
(AFTRS) Production, Steven Pasvolsky and Joe Weatherstone |
| |
"Johnny Flynton" A Red Corner Production, Lexi Alexander
and Alexander Buono |
| |
"This Charming Man (Der Er En Yndig Mand)"
An M&M Productions for Novellefilm
Production, Martin Strange-Hansen and Mie Andreasen |
| |
| Sound |
| |
"Chicago"
(Miramax) Michael Minkler, Dominick Tavella and David Lee |
| |
"Gangs of New York" (Miramax) Tom Fleischman, Eugene
Gearty and Ivan Sharrock |
| |
"The Lord of the Rings: The Two Towers" (New Line)
Christopher Boyes, Michael Semanick, Michael Hedges and Hammond Peek |
| |
"Road to Perdition" (DreamWorks and 20th Century Fox)
Scott Millan, Bob Beemer and John Patrick Pritchet |
| |
"Spider-Man" (Sony Pictures Releasing) Kevin O'Connell,
Greg P. Russell and Ed Novick |
| |
| Sound Editing |
| |
"The Lord of the Rings: The Two Towers"
(New Line) Ethan Van der Ryn and Michael
Hopkins |
| |
"Minority Report" (20th Century Fox and DreamWorks)
Richard Hymns and Gary Rydstrom |
| |
"Road to Perdition" (DreamWorks and 20th Century Fox)
Scott A. Hecker |
| |
| Visual Effects |
| |
"The Lord of the Rings: The Two Towers"
(New Line) Jim Rygiel, Joe Letteri, Randall William Cook and Alex Funke |
| |
"Spider-Man" (Sony Pictures Releasing) John Dykstra,
Scott Stokdyk, Anthony LaMolinara and John Frazier |
| |
"Star Wars Episode II Attack of the Clones" (20th Century
Fox) Rob Coleman, Pablo Helman, John Knoll and Ben Snow |
| |
| Screenplay based on material previously produced or
published |
| |
"About a Boy" (Universal) Screenplay by Peter Hedges
and Chris Weitz & Paul Weitz |
| |
"Adaptation" (Sony Pictures Releasing) Screenplay by
Charlie Kaufman and Donald Kaufman |
| |
"Chicago" (Miramax) Screenplay by Bill Condon |
| |
"The Hours" (Paramount and Miramax) Screenplay by David
Hare |
| |
"The Pianist"
(Focus Features) Screenplay by Ronald Harwood |
| |
| Screenplay written directly for the screen |
| |
"Far from Heaven" (Focus Features) Written by Todd
Haynes |
| |
"Gangs of New York" (Miramax) Screenplay by Jay Cocks
and Steve Zaillian and Kenneth Lonergan |
| |
"My Big Fat Greek Wedding" (IFC/Gold Circle Films)
Written by Nia Vardalos |
| |
"Talk to Her"
(Sony Pictures Classics) Written by Pedro Almodóvar |
| |
"Y Tu Mamá También" (IFC Films) Written
by Carlos Cuarón and Alfonso Cuarón |
| |
| Honorary Award |
| |
Peter O'Toole
Acceptance Speech: "Meryl Streep, members of the Academy, distinguished
guests, viewers, ladies and gentlemen — always a bridesmaid, never
a bride, my foot. I have my very own Oscar now to be with me till death
do us part. I wish the Academy to know that I am as delighted as I am
honored, and I am honored. The magic of the movies enraptured me when
I was a child. As I totter into antiquity, movie magic enraptures me still.
Having already bagged this baby, as it were, and so spared uncertainties
prior to the opening of an envelope, I'm able to think. I think of our
colleagues, our old friends now gone, who played their parts in this ceremony.
I think of the sumptuous talents alive and well and with us now. I think
of the astonishing young, the gifted and able young men and women who
I meet practically every time I go to work, and from whom I grab energy
in handfuls. I think of the United States and of the loves and friendships
I've known here for more than half a century, and of how much the nation
has given to me both personally, privately and professionally. And I am
deeply thankful. And now, at this last, you have given me this delightful
shock. You're very good. Good night and God bless you." |